Términos

Daño causado por insectos.

El proceso o actividad de herir, injuriar o causar daño de otro modo, generalmente en un modo que resulta en la disminución o pérdida del valor de una cosa.

Danbi, literally meaning “cinnabar steps” or “cinnabar platform” (Kroll 2015, 74-75; 20), generally refers to the steps of palace buildings, and in some contexts, to the open platform in front of a main palace hall.The term danbi originated from the practice of painting the steps of palace buildings with cinnabar. The earliest evidence of the use of danbi comes from the Lingqijing, which is traditionally dated to the Western Han. During the Ming and Qing dynasty dynasties, danbi became part of mainstream architectural nomenclature and was used in conjunction with danchi 丹墀, where danbi referred to the platform (yuetai 月台) outside the hall, and danchi referred to the ground in front of the danbi. However, danbi is also commonly translated as "steps." In literature before the Ming and Qing dynasties, danbi was not used for buildings other than palace buildings, while in the Ming and Qing dynasties, the scope of reference broadened to include Confucian temples, government offices, and other types of buildings.

Discipline involving the study of dancing and movement, including performance.

Groups of dancers assembled as a performing unit, inclusive of directors and other business and technical personnel.

Masks used during dance performances.

General term for systems used to visually represent dance through written words, symbols, numerical codes, drawings, or various other standard notations.

Buildings housing performing arts enterprises that teach dance.

Institutions or companies that teach dance in a school setting.

Long poles, often wooden, made for use in ceremonial dances.

Performances typically involving rhythmical skipping and stepping, with regular turnings and movements of the limbs and body, usually to the accompaniment of music.

Traditional Korean decorative coloring done on wooden buildings and structures, such as royal palaces and temples. Its usual function was to cover design defects and prevent cracks in wooden buildings, in addition to repelling pests and protecting from rain and wind. Since dancheong is based on yin and yang and the Five Elements Theory, blue is placed to the east, red south, yellow center, white west and black north, in addition to green. In South Korea, the color pigments with specific color index numbers are standardized by the state.

Artesanos que practican "dancheong", técnica decorativa típica coreana que se realiza en madera de edificios y estructuras. En Corea del Sur, son considerados Tesoro Humano Vivo en la categoría de Patrimonio Cultural Intangible a partir de la 48° Administración de Patrimonio Cultural.

Danchi, meaning literally “cinnabar staircase or courtyard” (Kroll 2015, 74-75; 50-51), generally refers to the surface of the platform extending in front of the main hall of a palace or the surface of the courtyards in a palace, and is one of the main areas where ceremonies were held. It originated from the practice of painting the steps with cinnabar in the Han dynasty, which may have been inherited from the Zhou dynasty (Yang 2001,163, 214). Over time, the locations of danchi changed. During the Han dynasty danchi usually referred to the ground or floor inside a hall. After the Tang and Song dynasties, danchi was usually associated with the platform in front of a hall. In the Northern Song, it referred to the ground of the topmost platform in front of a palace building, and, together with longchi 龍墀 and shachi 沙墀, it constituted the sanchi 三墀 system. In the Liao dynasty and after it referred to the ground below the platform, which is on the same level as the courtyard ground. During the Ming and Qing dynasties, danchi also referred to the ground below the platform of the main hall in Confucian temples, government offices, and other types of buildings.

The activity characterized by rhythmical skipping and stepping, with regular turnings and movements of the limbs and body, usually to the accompaniment of music.

Estilo literario o artístico a menudo asociado con los decadentes ingleses y franceses del siglo XIX tardío, marcado especialmente por la precocidad del lenguaje y sentimentalismo refinado del contenido.