Términos

Species of mammal native from northern Canada through the United States southward into South America. It has been introduced into Europe and Asia. It recognizable by a conspicuous black mask coloration across the eyes and a tail ringed with 5 to 10 black bands. Raccoons are intelligent and inquisitive; they are typically nocturnal and often arboreal. The hairless front feet are highly dexterous and resemble slender human hands, the hind feet are thicker and longer. Although classified as a carnivore, the raccoon is omnivorous, feeding on crayfish other arthropods, rodents, frogs, fruit, and other plant matter including crops. It may immerse food in water to soften the food and the pads of its hands, giving rise to the belief that it washes its food. It has been hunted for its fur and occasionally for food.

Family containing 18 species in six genera including includes the raccoons, coatis, kinkajous, olingos, ringtails, and cacomistles. Characterized by being tree-climbing, omnivorous, having poorly developed carnassial teeth, and being closely related to bears.

Colectivamente, todos los procesos y técnicas empleados en la creación de las películas o la videocinta, incluyendo dirección, la ejecución, produción, editar, escribir y diseño. Refiere específicamente a las actividades de la película o los directores y los productores de vídeo.

Fabricación de bienes en grandes cantidades para alcanzar altos índices de producción a un costo por unidad decreciente.

Se refiere a celulas actualmente utilizadas en la producción de obras de animación, por ejemplo, un dibujo animado.

Describes the physical location where an object or work was produced.

Requests or agreements issued to a manufacturer or supplier to produce a specific quantity of items or materials within a certain timeframe.

Larger and more involved graffiti art 'pieces' that involve several artists working together. These are achieved legally, where permission has been granted or the work commissioned.

A trend in post-revolutionary Soviet art in the 1920s and 1930s that promoted a fusion of artistic practice and industrial production. Productivists believed that in the socialist society there had been no need in art as an autonomous practice. Art was to deal with the pragmatic and utilitarian tasks such as design of objects, training of practical skills or organization of the living environment. For productivists an artist was akin a producer and an engineer. Though Productivism is often conceived as a movement associated with the particular theorists, artists and institutions (e.g. journals Lef and Noviy (New) Lef), it was rather a broader trend followed by many artists and art collectives across the USSR, including Central Asian republics. Institutional self-organization of numerous artistic collectives into “art-factories” in which the artistic production was organized as in an industrial plant was one of the most emblematic expressions of the productional view of art.

Cosa o substancia generada o producida, por actividad humana o proceso natural.

Productos, tales como baldosas, que se componen de cerámica.

Cosas o sustancias que tienen arcilla como ingrediente principal.

Productos compuestos de celulosa.

Productos que contienen fibra como ingrediente primario (tal como papel).

Cosas o sustancias que se generan o producen, ya sea por actividad humana o por procesos naturales, y que son de madera o de sustancias compuestas que comprenden principalmente la madera.

Productos que tienen el petróleo como ingrediente principal.

Cosas o sustancias que tienen cemento como ingrediente principal.

Cosas o sustancias que tienen metal como ingrediente principal.